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Conservation

Penn Museum’s Conservation Lab is tasked with the long term preservation and conservation of the Museum’s artifact collections.

Working with other Museum staff, our duties include:

  • review, treatment, and setting exhibit parameters for all objects going on exhibit or loan
  • setting travel requirements for all artifacts going on loan or traveling exhibit
  • working with collections staff to provide best possible environment for long term preservation of collections in storage
  • providing conservation consultation for Museum staff, researchers, students, and the general public

Since the summer of 2010, the Conservation Department has been housed in temporary spaces, awaiting completion of the West Wing renovation, which will see us in a larger, custom-designed conservation suite.  Although our temporary spaces are smaller and not designed as labs, we are maintaining and growing our programs.

The department includes three full-time staff members:

Lynn Grant Lynn Grant
Head Conservator
I have been with the Museum since 1988 and Head Conservator since 2008... Read more


Julia LawsonJulia Lawson
Conservator
I have been a Conservator in the Penn Museum since 1998... Read more


Nina Owczarek
Assistant Conservator
In early 2011, I joined the Conservation Department as the newest staff member... Read more


 

In Fall 2010, the department also expanded to include:

Ainslie Harrison
Ainslie Harrison

Post-graduate Fellow, working on the Pachacamac Ceramics survey for one year… Read more
Frances Bass
Frances Baas
Post-graduate Fellow, working on the Pachacamac Textiles survey for one year… Read more

Tessa de Alarcon
Tessa de Alarcon

Third-year conservation student from the UCLA/Getty program who will spend nine months here getting practical work experience… Read more

Ida
Ida Pohoriljakova
Post-graduate Fellow, working on a variety of departmental projects for nine months… Read more

Additionally, we have a number of work study students and pre-program interns helping out.

Conservation Internship Program
The conservation department has a long and distinguished record of providing valuable internships for conservation students from other universities. Such internships not only provide valuable educational opportunities to young conservators (enabling in-depth treatments for artifacts from our collections), but also fulfill an integral part of all university-based conservation-training programs (providing hands-on, real-life experience to supplement and reinforce academic coursework).

Interns Wendy Davenport and Allison Richards prepare Japanese scrolls for re-housing. Photo by Lynn Grant Collections care and conservation work at the Penn Museum is ongoing and overseen by the Museum’s Conservation Department. As resources become available, the conditions in which our collections are kept are continually upgraded. For example, before moving the Asian collections into the Mainwaring Wing in 2002, the Museum commissioned a condition survey of its paper-based materials by conservators from the Conservation Center for Art and Historic Artifacts (CCAHA) located in Philadelphia.

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A before and after shot of the conserved Spider Monkey Pot. Penn Museum object NA11443bt1.All of the artifacts in the Painted Metaphors exhibit were examined by the Museum's conservators, and given any treatment necessary to render them stable for exhibition and travel. Treatments varied from simple cleaning to complex disassembly of old restorations; re-mending with modern, stable material; and restoration of missing areas. Exhibits such as this enable the conservators to concentrate on a discreet group of artifacts and, in cooperation with Curators and researchers, make interesting observations about the culture that made and used them.

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Conservator Julie Lawson has begun cleaning the first of the two reliefs.  The lighter area on the left shows where she has removed decades of grime by lightly moistening the surface with steam and blotting off the mobilized dirt with absorbent toweling. Photo by Penn Museum.

The stone reliefs depicting two of the favorite horses of Emperor Taizong (r. 626-649) are among the Museum’s greatest treasures. Examinations conducted in 2008 showed that the mending, done sometime shortly after the reliefs arrived at the Museum in 1918, was no longer stable. With support from generous donors, Mr. and Mrs. John R. Rockwell (W’64; WG’66), the Museum undertook the conservation of these important artifacts.

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