African Section

Vol. XXI / No. 4

By: Margaret Plass

A Walk Through the Gallery: African Negro Sculpture

The new African Gallery has been designed to exhibit, simply and honestly, a selection of sculptures from our permanent collections. […]

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Vol. XXI / No. 4

By: Carleton S. Coon

Introduction: African Negro Sculpture

As you will shortly see-or have just seen-like other racial and ethnic areas, Negro Africa has its own special kind […]

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Vol. XVI / No. 3

By: Lincoln Kirstein

Lincoln Kirstein: Ballet

Mr. Kirstein was the only selector to choose a piece from the Museum’s large New Ireland collection. Of this dance […]

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Vol. XVI / No. 3

By: Charles Addams

Charles Addams: ...Of The New Yorker

Charles Addams chose this figure of a whale from a Tlingit helmet, Southeast Alaska, and remarked: These objects were selected […]

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Vol. XIV / No. 3

By: C.-J. H.

Warp and Woof

WARP AND WOOF, the University Museum’s current exhibit of historic and contemporary textiles, has a double aim: to spread before […]

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Vol. XIII / No. 1

Masks

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Vol. XI / No. 3

By: H. A. Weischhoff

III. Types of Money: Primitive Money

In enumerating the most important types of money which have had validity among primitive peoples, the following arrangement has been […]

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Vol. XI / No. 3

By: H. A. Weischhoff

II. Origin of Money: Primitive Money

The origin of money, like all problems of a similar nature, is a question which is invariably raised by scholars […]

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Vol. XI / No. 3

By: H. A. Weischhoff

I. What Is Money?: Primitive Money

In an age in which money has become the ultima ratio of human society and in which its function has […]

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Vol. XI / No. 1-2

By: H. A. Weischhoff

Suggested Reading: The African Collections of the University Museum

Tribal Monographs Evans-Pritchard, E. E., Witchcraft, Oracles, and Magic among the Azande, London, 1937. Herskovits, M. J., Dahomey; an Ancient […]

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